Yay I've gone bronze and no tanning bed in sight!!
Thanks to everyone for your ratings and comments...
Yay I've gone bronze and no tanning bed in sight!!
Thanks to everyone for your ratings and comments.
I always try to return all ratings and if I promise an E and don't get back to you feel free to give me a poke.
Sue
Member since:30.05.2009
Reviews:410
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Any one who has read my book reviews will now just how much I enjoy the work of Daphne Du Maurier - 'Rebecca' has to be in the running for my most favourite book ever.
When you hear of her background it is not really surprising that she became such a great novelist.
Born on 13th May1907 in London into an artistic and prosperous family, she had two sisters - Angela and Jeanne - she was the second daughter and her father,who had wanted a son, encouraged her to dress like a boy, cut her hair short, and adopt an alter ego she named "Eric Avon." Her father was in fact, Sir Gerald du Maurier - an actor and a manager who later became a writer, one of his works was 'Svengali and Trilby' - DuMaurier actually creating the mad hypnotist, Svengali.
Daphne's mother was also an actress - Muriel Beaumont, and her grandfather was the caricaturist George du Maurier.One of her ancestors was Mary Anne Clarke, the mistress of the Duke of York, son of King George III, Mary Anne Clarke's daughter married Louis-Mathurin Busson du Maurier - their son was Daphne's grandfather.
Her younger years were very lively and she grew up in a household who entertained visitors like of J.M. Barrie ( in fact the 'lost boys' in Peter Pan were based on her cousins) and Edgar Wallace. She always had a great love of reading - her favourite authors were Walter Scott, W.M. Thackeray, the Brontė sisters, Oscar Wilde, R.L. Stevenson, Katherine Mansfield, Guy de Maupassant, and Somerset Maugham. I think that the work of the Brontes can be clearly seen as an influence on her writing.
Her teenage years were spent sailing boats, skiing, travelling on the Continent with friends, and writing, she was only in her teens when uncle - a magazine editor - published one of her stories and got her a literary agent.
Her love for Cornwall - that is depicted so much in her works - began during her childhood when her family spent their holidays there. In 1926, the du Mauriers purchased a holiday home called Ferryside in Fowey
on the rocky southwestern coast of Cornwall. It was here - when Daphne found the constant entertaining in the family home in London too distracting for her writing - that she persuaded her parents to let her move to.
Daphne Du Maurier began writing short stories in 1928, and in 1931 her first novel, 'The Loving Spirit' ( The title was inspired by lines from an Emily Brontė poem) was published. It received wonderful reviews and brought her to the attention of Major ( later Sir Lieutenant Colonel ) Frederick Arthur Montague Browning II, he loved the book so much that he sailed to Fowey to meet the author - rather like the plots to one of her books, they fell in love and were married in 1932 at Lanteglos Church. They were married for thirty-three years and had three children; Browning ( Boy or Tommy as Daphne called him) died in 1965. Their marriage seemed to be perfect but actually Du Maurier was bi-sexual and in 1947 she fell in love with Ellen Doubleday, the wife of her American publisher, who remained her lifelong friend, and later with the actress Gertrude Lawrence; she often told friends that she kept a ''boy in a box.'' These masculine leanings influenced her novels and stories, which were often dominated by a male narrator. But there was no doubt that she did love her husband and she was devastated by his death. After his death she wore his shirts, sat at his writing desk, used his pen to answer the hundreds of letters of condolence. She said that she found evenings were the hardest to endure in the months that followed his death saying that she missed - 'the ritual of the hot drink, the lumps of sugar for the two dogs, the saying of prayers - his boyhood habit carried on throughout our married life - the goodnight kiss.'
Daphne continued writing, she wrote a frank biography of her father, Gerald: A Portrait, which was published in 1935 and then Jamaica Inn, published in 1936, which was inspired by a visit to the famous tavern on Bodmin Moor. She went riding and got lost on the moors, she managed to find her way back and wrote the story soon after about a young woman, Mary Yellen, who goes to live with her aunt Patience and uncle Joss Merlyn. She soon learns about the smuggling which is taking place on the coast and her uncle is the leader.
Rebecca is undoubtedly Du Mauriers' most famous novel - and my favourite - and the theme of the novel - Jealousy - came to Daphne the year she married Frederick "Boy" Browning, he had been engaged before - to glamorous, dark-haired Jan Ricardo. The suspicion that her husband remained attracted to Ricardo haunted Daphne.Jan Ricardo, tragically, died during the Second World War. She threw herself under a train.
The infamous Manderley in Rebecca was based on the house at Menabilly - a seventeenth-century mansion overlooking the sea near Par in Cornwall. Daphne had fallen in love with the house in the 1930's and eventually bought it in 1943. Menabilly was also used as the setting for Frenchman's Creek - I remember vividly sat on the Polkerris beach - just below Menabilly reading this novel in the 1980's and being able to relate so much to the graphic scenery that Du Maurier painted.
In Frenchman's Creek, Du Maurier used the house at Readymoney Cove in Fowey, where the family lived from 1942 - 1943 as the inspiration, and coincidentaly only yesterday this very property was put up for sale for £1.875 million.
As well as her novels Du Maurier also published many short stories, plays and biographies. In the late 1950s, she became very interested in the supernatural and wrote several stories, including , among'The Pool', in which a young girl glimpses a magical world in the woods and 'The Blue Lenses', in which a woman sees everyone around her having the head of an animal. In 1970 appeared her second collection of short stories, Not After Midnight, which included 'Don't Look Now', this was a story in Venice, that involved a psychic old lady, a man with the sixth sense, and a murderous dwarf.
Films of her works include Jamaica Inn 1939 and Rebecca 1940 - both directed by Alfred Hitchcock, Frenchman's Creek 1944, The Years Between 1946, The Hungry Hill 1947, My Cousin Rachel 1952, The Scapegoat 1952, The Birds ( Hitchcock again) 1963 and Don't Look Now 1973. . Her long list of publications include the following titles :-
THE LOVING SPIRIT,
Pictures of Daphne Du Maurier
Daphne Du Maurier
1931 I'LL NEVER BE YOUNG AGAIN, 1932 THE PROGRESS OF JULIUS, 1933 GERALD: A PORTRAIT, 1934 JAMAICA INN, 1936 THE DU MAURIERS, 1937 REBECCA, 1938 HAPPY CHRISTMAS, 1940 REBECCA, 1940 COME WIND, COME WEATHER, 1941 FRENCHMAN'S CREEK, 1941 HUNGRY HILL, 1943 SPRING PICTURE, 1944 THE YEARS BETWEEN, 1944 LONDON AND PARIS, 1945 THE YEARS BETWEEN, 1945 THE KING'S GENERAL, 1946 SEPTEMBER TIDE, 1948 THE PARASITES, 1949 THE YOUNG GEORGE DU MAURIER, 1951 ( MY COUSIN RACHEL, 1951 THE APPLE TREE, 1952 MARY ANNE, 1954 EARLY STORIES, 1954 THE SCAPEGOAT, 1957 THE BREAKING POINT, 1959 THE INFERNAL WORLD OF BRANWELL BRONTĖ, 1960 THE TREASURY OF DU MAURIER SHORT STORIES, 1960 CASTLE D'OR, 1962 (with Arthur Quiller-Couch) THE GLASS BLOWERS, 1963 THE FLIGHT OF THE FALCON, 1965 VANISHING CORNWALL, 1967 THE HOUSE ON THE STRAND, 1969 NOT AFTER MIDNIGHT, 1971 RULE BRITANNIA, 1972 GOLDEN LADS, 1975 THE BREAKTHROUGH, 1976 (television play) THE WINDING STAIR: FRANCIS BACON, HIS RISE AND FALL, 1976 ECHOES FROM THE MACABRE, 1976 GROWING PAINS: THE SHAPING OF A WRITER / MYSELF WHEN YOUNG, 1977 FOUR GREAT CORNISH NOVELS, 1978 THE RENDEZVOUS, AND OTHER STORIES, 1980 THE "REBECCA" NOTEBOOK, AND OTHER MEMORIES, 1981 CLASSICS OF THE MACABRE, 1987
Daphne Du Maurier was awarded the National Book Award in 1938 for Rebecca, inn 1969 she was made a Dame of the British Empire and in 1977 she was awarded the Grand Master Award from the Mystery Writers of America.
After the death of her husband Daphne lease on Menabilly expired and she was forced to move to a Kilmarth.This was an old historic house that she immortalised in the novel The House on the Strand. It was also where she lived a.quiet reclusive life with her memories until her death in 1989. After her death her ashes were scattered on the cliffs near her home at Kilmarth, so she never had to leave her beloved Cornwall.
Daphne Du Maurier is still one of Britain's - if not the worlds - favourite authors, she was not just a novelist but also a playwright, nonfiction writer and editor. I see her as one of the finest suspense authors of the 20th century. Most of her novels fall into the suspense category, some as chilling as anything composed by Edgar Allen Poe.
"I walked this land with a dreamer's freedom and with a waking man's perception - places, houses whispered to me their secrets and shared with me their sorrows and their joys. And in return I gave them something of myself a few of my novels passing into the folk-lore of this ancient place." Daphne du Maurier, 1907-1989
Summary: "in strange and eerie fashion we are at one, the house and I."
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Completely, absolutely agree. Du Maurier is one of the greats. I first read Jamaica Inn as a child and was bowled over; went on to read almost all her novels and short stories, most of which we have on our shelves, but as you say, it is Rebecca where she really makes her mark. ""Last night I dreamed I went to Manderley again ..." Perhaps the greatest opening line of any novel I have ever read. Love the wonderful photo of her you have included. What a really superb review - you've made my day!
Rebecca published in 1938 brought its author instant international acclaim capturing ... more
the popular imagination with its haunting atmosphere of suspense and mystery. But the more fame this and her other books encouraged the more reclusive Daphne du Ma...
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