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Kodak Tri-X is, I think, the oldest stager on the market: it was around years before I started taking pictures in the late Sixties. Of course, like all the other standard films, it has been modified and improved over the years, but the essential character is unchanged.
Resilience is the watchword here. There are sharper films. There are less grainy films. None of them will produce good results in any developer, and none are so tolerant of ill-treatment. There are rumours that you can develop good Tri-X negatives in Brown Windsor soup – and they might well be true!
Tri-X was the standard film from the Sixties onwards for press photography because of this tolerance of extreme abuse. The fact that it gave reasonable grain and very good sharpness for a fast film certainly helped: but the ability to survive in the Vietnam jungle and the Gobi desert made it a winner.
The current version is still as good, even though it’s overshadowed by Kodak’s T-Max emulsions. T-Max 400 has less grain, and is sharper, as well as being inherently slightly faster (Tri-X is happiest around half the rated speed). However, T-Max films are rather high-strung, and only work at their best in Kodak’s own (very expensive) T-Max developer. Ultimately, extending development to increase film speed is easier with Tri-X (another reason why photojournalists favour it).
So if you fancy using a tried and trusted professional film, you could do a lot worse than buying a few rolls of TX. I suspect that you’ll come back for more of this ultimate survivor.
KODAK TRI-X Pan Film is a high-speed (ISO 400/27°) panchromatic film that is a good choice ... more
for photographing dimly lighted subjects or fast action, for photographing subjects that require good depth of field and fast shutter speeds, and for extending the distance range for flash pictures. TRI-X Pan Film (TX) is available in 120 and 135 sizes and 35 and 70 mm long rolls. You can retouch the 120-size film on the emulsion side. TRI-X Pan Film is recommended for push-processing applications.
Kodak TRI-X 400TX 120 Black & White Film The sharpest, finest grain & best selling ... more
black-and-white films the world has to offer. Black-and-white is honest. At times beautiful, at times brutal. Always revealing the truth-of a situation, of an emotion, of the fleeting permanence of nature. KODAK PROFESSIONAL Black-and-White Films deliver superior performance across the board. There simply is no better family of black-and-white films available today. From the always timeless TRI-X, to the incomparably sharp T-MAX 400, there's a black-and-white film in our family that lets you expose the truth in stunning detail. KODAK PROFESSIONAL TRI-X 400 Film-this classic black-and-white film allows for maximum pushability when you need it, while its wide exposure latitude lets you leverage even the most challenging lighting situations. And the distinctive grain structure adds a level of realism as dramatic and profound as each subject. World's best-selling black-and-white film Classic grain structure for low light and action Fine grain, high sharpness Wide exposure latitude Maximum pushability to EI 1600