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Most famous as a ballet venue, this theatre also hosts a broad range of theatre, and musical events (Japanese Kabuki, Cirque Éloize, various tribal drum groups, a musical of The Twits etc). However, I have only seen ballets here, from several touring companies. This is my favourite venue to see dance acts, because the venue doesn't overshadow the perofrmance.
Located near Angel Islington they are a little out of the centre, but only a short, well sign-posted walk from the tube, or a short bus ride from Oxford Street. They also offer a special express bus service to (I think) Victoria and Waterloo at the end of performances to help you get home quickly. There are lots of eateries nearby if you wanted to make an evening of your trip as well.
Booking online (www.sadlers-wells.com) is occasionally frustrating (it's won't let you book seats with a restricted view, but doesn't tell you *why* it won't accept the booking) but their telephone staff are very helpful, and adept at finding the best value seats for hard pressed student types. The website is, however, a good source of information, along with their occasional mail shots.
Speaking of cheap seats, the very cheapest are amazingly good value - Stalls stools are normally only £8 or £7, and provided you don't have a back problem (the seats are literally stools, and you'll be twisting your neck to one side for the whole show), have a surprisingly good view. Thanks to the staff's consideration with regard to upgrading folks from the cheap seats when there are unsold seats elsewhere, I can also say that the more expensive seats are very comfy, and give an excellent view. This is a very modern seeming theatre (no red and guilt cherubs here!) designed with acoustics and the demands of a modern audience in mind.
In terms of other facilities, the bars are only as expensive as you might expect a London theatre to be, and the cloakroom, while busy, is affordable and efficient. Programmes etc are the responsibility of the various touring companies, and quality and price vary widely. The theatre shop sells all sorts of tie-ins to the performances, from recordings to t-shirts and mugs.
The split level halls and bars are used as an opportunity to exhibit a few pieces of contemporary art - last time I was there it was some very attractive video installations.
But my favourite little finishing touch of any venue, are the Spirits of Saddlers Well. A small plaque telling the story of the original spring that the building is said to stand on announces a small glass circle into the ground, tucked away in a corner. Drop a coin into the well, and watch what happens - I won't spoil the surprise, only assure you that I always make sure I have a handful of change when I'm at the theatre!
Track Recording Side 1 Overture Act 1 I'll Be At The Ball Tonight Ah, woe is me Drown The ... more
Truth in wine Act 2 What a feast Chacun à goût Side 2 The Laughing Song The Watch Duet Brother Mine and Sister Mine Act 3 I have a suspicion Forgive him and forget Record / labels, inner, sleeve all in Excellent / Excellent condition. Records visually graded to RRPG grades EX/EX (record/sleeve) We recommend the record is professionally cleaned
An operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard ... more
Genee, Die Fledermaus was first performed in 1874 in Austria. The earliest known recording dates from 1907, whilst presentation, performed by the Sadler's Wells Opera Company conducted by Vilem Tausky, originates from 1959. The opera production was by Wendy Toye whilst the recording was produced by legendary producer Norman Newell.Tracklisting:1. Act I: Overture2. Act I: I'll Be at the Ball Tonight3. Act I: Ah, Woe is Me4. Act I: Drown the Truth in Wine5. Act II: What a Feast6. Act II: Chacun À Son Goût7. Act II: The Laughing Song8. Act II: The Watch Duet9. Act II: Brother Mine and Sister Mine10. Act III: I Have a Suspicion11. Act III: Forgive Him and Forget