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Sonny Rollins is my favourite tenor saxophonist, and is in my opinion the best saxophonist ever. Sonny has a lovely deep, rich tone, right the way from the bottom of his horn to the top. Like many of the great jazz musicians, Sonny was not only a great player, but also a great composer, having written loads of tunes, including St Thomas, Tenor Madness, Doxy, Oleo, Airegin, to name but a few.
Sonny Rollins has recorded many famous C.D.'s, but perhaps his best two, and my favourite are saxophone colossus and tenor madness (featuring a stunning recording of tenor madness with coltrane and rollins playing together!) Both of these C.D's feature Sonny Rollins in full swing, at the top of his playing, with his classic tone and characteristic phrasing and solo's.
Throughout his life, Sonny Rollins had a chance to play and record with many jazz greats, having already done so with Babs Gonzalez, J.J. Johnson, Bud Powell and Miles Davis before he turned twenty, and also benefitting from having Thelonius Monk as a mentor.
Later in his life, during the mid-sixties, Rollins stopped playing in public and tried to get into religion, and especially eastern religions, spending time in Japan and India, and also spending a lot of time in a monastry. In the 70's however, Sonny resurfaced again and returned to recording and playing again, making his next recording in 1972, and is still going strong.
Recently, I had the chance to see Sonny Rollins playing in a rare appearance at the Barbican in London, and I must say that he was absolutely fantastic. Although he may now look slightly older, his playing is still as good as when he was younger and on those classic recordings of his, if not even better!
I think that all saxophonists should have the chance to see Sonny play, one of the greatest saxophonists ever, and if not, they should at least listen to some of his recordings.
Some CD's to check out are: Saxophone Colossus, Tenor Madness, Way Out West, Thelonius Monk and Sonny Rollins, Sonny Side Up (with Dizzy Gillespie and Sonny Stitt).
Tenor Madness was the recording that, once and for all, established Rollins as one of the ... more
premier tenor saxophonists, an accolade that in retrospect, has continued through six full decades and gives an indication why as a young player, Rollins was so well liked, as his fluency, whimsical nature, and solid construct of melodies and solos gave him the title of the next Coleman Hawkins or Lester Young of mainstream jazz. Tenor Madness, using Miles Davis' group - pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones, is the only recording of Rollins with John Coltrane, who was also in Davis' group. Rollins and John Coltrane met in 1956 and went on to largely define the state of jazz tenor saxophone in the mid-Fifties. Their playing set a standard that has been a benchmark of excellence for saxophonists-and others-ever since. By the time this LP was released, Rollins already had such albums to his name as Worktime and Sonny Rollins Plus 4 in addition to his sideman exploits with the Clifford Brown/Max Roach Quintet. As well as the celebrated title track, Tenor Madness includes an intriguing original, "Paul's Pal," and the mining of unusual material such as "My Reverie," and "The Most Beautiful Girl in the World." Originally released in 1956
As the tenor sax is not in the same key as an alto, Sonny Rollins would have to transpose ... more
a lot of music to take a tribute to Charlie Parker to a high level. Instead Rollins has chosen standards associated with Parker, and recorded them within a year after Bird's passing. The music certainly has its moments, as on the inexhaustible 27-minute medley of seven tunes seamlessly stitched together. Rollins plays the melody on alternating songs "I Remember You" and "They Can't Take That Away from Me," Kenny Dorham has at it for "My Melancholy Baby" and "Just Friends," with Wade Legge getting his two cents in on trio only versions of "Old Folks" and "My Little Suede Shoes." Finally the whole band joins in on the ten-minute medley finale "Star Eyes." Two independent selections accompany the medley: Rollins does the ballad "I've Grown Accustomed to Your (Her) Face," from the musical "My Fair Lady" and the horns finally play together for the nearly 12-minute cool waltz "Kids Know." Originally released in 1956. 1. Medley: I Remember You, My Melancholy Baby, Old Folks, They Can't Take That Away From Me, Just Friends, My Little Suede Shoes & Star Eyes 2. Kids Know 3. I've Grown Accustomed to Your Face