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I am not really an expert photo editor but with GIMP, I feel like I am. It truly is an excellent option for image manipulation.
You can edit practically any image formats here with all their features that are not present in Photoshop. Plus, there are templates and brushes that are readily downloadable from the internet. Even if its interface is quite different from Photoshop because it has a multi-windowed layout, I think one can easily adapt to it. And well, if it isn't that easy then there are a lot of tutorials available online.
In my experience, it can handle quite heavy loads as it generally doesn't crash at all. That is really comforting because I'm not the play-safe kind who saves their work every now and then. It's just good to know that I don't have to fear losing my edited image file. That gets me so bummed out.
It is stable and you don't have to be a really expert photo editor to use this software. You'd fare just as well even if you're a beginner. And best of all, GIMP is completely free.
The excitement described by Carey Bunks when he first beheld the GNU Image Manipulation ... more
Program (GIMP) in 1996 is palpable when you hold Bunks' new book in your hands. The phantasmagoric image on the cover of Grokking the GIMP: Advanced Techniques for Working with Digital Images melds a photograph of the moon's surface from a high orbit with an apparent solar eclipse by the earth. A penguin floats discretely in a hot air balloon between sun, earth and moon. Is the sun-moon-earth image a bit of the penguin's imagination? Is it a piece of GIMP artist/developer Tuomas Kuosmanen's imagination? Maybe it is really a credit to the visionaries at New Riders who have produced an art book to suit the computer how-to market. "Grokking" is a Robert Heinlein-ism for "appreciating", and docent Bunks takes us through the museum of computer art and method as he demonstrates the features of the freely-redistributable package. The contents follow that path set down by many other how-to tech book authors: tutorial, a taste of image theory, working with the independent features of GIMP (layers, selections, masks and colourspaces) before advancing to compositing and rendering, and ending with short reviews of web-based applications of image manipulation. The book's strengths are Bunks' obvious passion for his subject, his mature didactic style, and the wonderfully spacious design and breathtaking colour-on-every-page strategy that allows him to beautifully frame GIMP features at their best. The most notable of his many case studies is the "Panorama" project that glues a series of laterally overlapping narrow-view photographs of an architecturally interesting room into a single, stunning wide-angle panorama of the whole. Bunks documents each step in the transformation and describes the required geometrical, hue and brightness adjustments needed to warp and blend them together. Look again at the cover, but not literally. Ignore the unphysical details. Rather imagine the mind's capacity for juxtaposition and GIMP's power fo