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Quote-start

Our stunning shoreline

Quote-end
19.02.2012 (21.02.2012)

Advantages:
Superb images with excellent accompanying text

Disadvantages:
There are too many places to visit !

Recommendable Yes:

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Degree of InformationVery high

How easy was it to read / get information fromVery easy

How interesting was the book?Captivating

Value for moneyExcellent

86 Ciao members have rated this review on average: very helpful See ratings
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Britain's coastline is around nine thousand miles long. Perhaps a lot of people who wish to spend a holiday on Britain's shores would simply be looking for a sandy beach to stretch out on, where the children can paddle safely in the water. “The Living Coast,” however, with its 376 aerial photographs of Britain's shoreline, shows that there is so much more to it than those popular beaches. A mere glimpse at the eleven little images on the back cover will give a taste of what is inside; these eleven include the Needles, Harlech Castle, St Ives, Muckle Roe and Rumps Head. The front cover has a stunning photograph of the white cliffs at Beachy Head, towering beside a lighthouse.

Author Christopher Somerville opens “The Living Coast” with his poem entitled “Great Ship,” opposite an image of the north-east coast of Hoy at Quoyness, Bay of Quoys, Orkney. The photograph shows a patchwork of fields beside calm waters, with moody grey hills behind. A smoky grey cloud hangs over the scene; it is a fittingly diverse rural scene with which to start the book. Photographers Adrian Warren and Dae Sasitorn provide the foreword to the book, recounting how they set off in a Cessna 182 from a grass strip in Somerset on their photography trips. Their comment that “for a small group of islands, Britain's coast has a richness in variety that would be difficult to match anywhere else” tells us that we can expect to be surprised and delighted by “The Living Coast.”

Christopher Somerville then gives a page-length introduction to the book, telling us that he has been exploring and writing about Britain's “bewitching” shores for most of his life. Seeing the aerial photographs, however, gave him a new perspective on places that were familiar to him and inspired him to write the book. He singles out the photograph of Dawlish Warren, telling us how without the distractions of the sounds of birds, waves or wind, he was able to appreciate the stunning colours and textures all the more intensely. Somerville goes so far as to say that “Our coasts are, for their small compass, the richest and the most sensationally beautiful on this planet.”

“The Living Coast” is then divided into fourteen chapters each devoted to a section of coast. The first, entitled “Ancient Land,” looks at Land's End to Morte Point. After that, the journey takes us round Britain's coast in a clockwise direction, finishing with Chapter XIV, “Sandstone to the West,” covering Dawlish Warren to the Isles of Scilly. The chapters range from twenty to thirty-four pages in length, and each begins with a text of one or two pages by Somerville. All the photographs are in colour; some take up almost a full page, while others are confined to about a third of the page. A grid reference and map reference is given for each one, as well as a paragraph of text describing the wildlife or a little of the history of the location. Somerville even includes the odd literary reference; for the photo of Warkworth Castle, for example, he gives two quotations from Shakespeare.

As the journey starts in the south west, there are many images of rural areas beside rocky beaches that we can feast our eyes on. Several images provide a contrast, however, such as the geometric lines of the Severn Bridge; Somerville comments that they remind some people of the sails of a ship, while others see the strings of a Welsh harp in them. The Welsh coast also offers some spectacular rural scenes, but there is a fascinating image of a caravan park in Porthcawl, Bridgend. It must be a pretty soulless place, but the aerial view provides an intriguing pattern where some caravans are parked diagonally and others in horizontal rows.

As we move up to Scotland, there is plenty to delight. The aerial view of the islet of Haskeir reminds me slightly of the shape of Britain itself on a smaller scale. In a detail of St Kilda village, the remains of the walls of abandoned houses form an intricate pattern against the green background. The colours in some of the images here are amazing, for example the greens, deep blue and earthy brown in the photo of Westayre Loch and Beach at Sanday, Orkney. Similar hues are seen again in the image of Blakeney Point in Norfolk. As we came round to the south coast, I was waiting to see which areas of the coast that are most familiar to me would be shown here. I was amused by Somerville's description of the entrance to Langstone Harbour; he sees Eastney's tip as “the rhinoceros proboscis” and the south-west tip of Hayling Island as “the horned sheep's head.” My only disappointment was the lack of a photo of Man o'War Bay from Dorset's Jurassic Coast, as it had impressed me so much when I first saw it just over a year before. The images of Kimmeridge in Dorset, however, are breathtaking.

At the end of the book are several pages of maps showing the locations of the places photographed, which I found extremely useful. Then comes an index, and the final page gives information about the author, photographers and publisher. The photographers have published other titles featuring aerial photographs of Britain that are not confined to views of the coast. All the photographs that appear in “The Living Coast” are available from www.lastrefuge.co.uk as high-quality prints.

Author Christopher Somerville writes for the Daily Telegraph and other national newspapers. He has published over thirty books, among which are the books for the BBC's Coast series. Photographer Dae Sasitorn is manager of the publishing house Last Refuge Ltd; she is involved in post-production of images and book design as well as photography. Adrian Warren is a professional pilot and award-winning maker of environmental and wildlife films.

“The Living Coast” has made me realise how little I actually know of Britain's shoreline. It has made me feel that, if for some reason I was told I could never travel abroad again, I could have many wonderful holidays here discovering wonderful areas of coastline that I have yet to set eyes on. I borrowed the book from the library, but it is one that I feel is definitely worth buying. The photographs are of a superb quality, as is Somerville's text. There are so many images to take in, and even though I know I will never visit all the places I would like to, I can learn so much about our coast from this book and take pleasure in doing so.

The Living Coast: An Aerial View of Britain's Shoreline
by Christopher Somerville, Dae Sasitorn and Adrian Warren
Hardcover, 384 pages
Last Refuge Ltd, 2008
ISBN 978-0955866609
Price £14.99 (Amazon £12.74)
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Comments about this review »

RICHADA 20.05.2012 22:45

Great subject matter here......R. xxx

Praski 09.04.2012 15:39

A wonderful review.

greenierexyboy 08.03.2012 21:51

The kind of thing I'd browse but I've got too many coffee table landscape explorations already.

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Product Information »

Manufacturer's product description

Britain possesses one of the most remarkable and varied coastlines in the world, with its richness in geology and h...

Product details

EAN 9780955866609
Type Non-Fiction
Genre Travel

Ciao

Listed on Ciao since 25/08/2009

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Review Ratings »

This review of The Living Coast - Dae Sasitorn has been rated:

"exceptional" by (10%):

  1. Praski
  2. carlz2001
  3. fizzytom

and 6 other members

"very helpful" by (90%):

  1. j9j8j7
  2. wazza115
  3. mattydalton

and 79 other members

The overall rating of a review is different from a simple average of all individual ratings.

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