"More About Boy" is the story of Roald Dahl's very own boyhood, as told in Boy, featuring never-before-seen...... more

"More About Boy" is the story of Roald Dahl's very own boyhood, as told in Boy, featuring never-before-seen material from behind the scenes, and some of the secrets he left out. Enjoy tales of sweet shops and chocolate, mean old ladies and a Great Mouse Plot?the inspiration for some of his most marvelous stories in the years to come. This stunning new edition includes some wonderful and strange things that have NEVER been seen before! Some funny, some frightening?all true.

... less

"More About Boy" is the story of Roald Dahl's very own boyhood, as told in Boy, featuring never-before-seen...... more

"More About Boy" is the story of Roald Dahl's very own boyhood, as told in Boy, featuring never-before-seen material from behind the scenes, and some of the secrets he left out. Enjoy tales of sweet shops and chocolate, mean old ladies and a Great Mouse Plot?the inspiration for some of his most marvelous stories in the years to come. This stunning new edition includes some wonderful and strange things that have NEVER been seen before! Some funny, some frightening?all true.

... less

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it...... more

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways. The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie. Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children)

... less

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it...... more

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways. The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie. Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children)

... less

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it...... more

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways. The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie. Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children)

... less

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it...... more

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways. The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie. Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children) --Susan Harrison

... less

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it...... more

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways. The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie. Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children)

... less

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it...... more

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways. The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie. Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children)

... less

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it...... more

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways. The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie. Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children)

... less

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it...... more

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways. The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie. Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children)

... less

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it...... more

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways. The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie. Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children)

... less

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it...... more

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways. The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie. Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children)

... less

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it...... more

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways. The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie. Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children)

... less

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it...... more

"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways. The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie. Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children)

... less

Yo ho ho! Pirate stew, plenty of rum, and a festive flare across the sky can only mean one thing - it's time for a great pirate party! Yo ho ho! All across the...... more

Yo ho ho! Pirate stew, plenty of rum, and a festive flare across the sky can only mean one thing - it's time for a great pirate party! Yo ho ho! All across the city, the pirates are getting restless and long for a party. So when a retired pirate comes to babysit for the Terrapin family, they are in for quite a surprise...From the rumbustious author and artist team of Margaret Mahy, winner of the Carnegle medal, and Quentin Blake, the first Children's Laureate, and best known for his partnership with Roald Dahl, this is a dazzling story which will delight pirate loving boys everywhere.

... less

Yo ho ho! Pirate stew, plenty of rum, and a festive flare across the sky can only mean one thing - it's time for a great pirate party! Yo ho ho! All across the...... more

Yo ho ho! Pirate stew, plenty of rum, and a festive flare across the sky can only mean one thing - it's time for a great pirate party! Yo ho ho! All across the city, the pirates are getting restless and long for a party. So when a retired pirate comes to babysit for the Terrapin family, they are in for quite a surprise...From the rumbustious author and artist team of Margaret Mahy, winner of the Carnegle medal, and Quentin Blake, the first Children's Laureate, and best known for his partnership with Roald Dahl, this is a dazzling story which will delight pirate loving boys everywhere.

... less

This splendid adventure-fantasy from 1990 was adapted from Roald Dahl's book, The Witches, and directed by maverick British filmmaker Nicolas...... more

This splendid adventure-fantasy from 1990 was adapted from Roald Dahl's book, The Witches, and directed by maverick British filmmaker Nicolas Roeg, who turned out to be a perfect (if seemingly unlikely) interpreter of Dahl's fiendishly clever tale of witchcraft in contemporary England. Scary, funny, and wildly entertaining, it's all about a young boy named Luke (Jasen Fisher) whose parents have died in a tragic accident, and whose grandmother (Mai Zetterling) takes him to a posh hotel in England, where a secret coven of witches is holding its annual convention. The Grand High Witch (Anjelica Huston, in a scene-stealing performance) has decreed that all children in England be turned into mice, and Luke and his pal Bruno (Charles Potter) are the first victims on the list. That's when the movie magicians from Jim Henson's creature shop have their work cut out for them, turning Luke and Bruno into clever little rodents and The Witches into a dazzling display of imaginative special effects, using a seamless combination of real mice and superb animatronic puppets. Director Roeg doesn't compromise the sinister edge of Dahl's story, but comedy gets equal time from the brilliant cast including Brenda Blethyn (from Secrets and Lies and Little Voice), Rowan Atkinson (of Black Adder and Mr. Bean fame), and Jane Horrocks (Little Voice) as the Grand High Witch's beleaguered assistant. Although it was largely neglected during its brief theatrical release, this wonderful movie has since enjoyed a thriving appreciation on video--see it and you'll understand why. --Jeff Shannon

... less

This splendid adventure-fantasy from 1990 was adapted from Roald Dahl's book, The Witches, and directed by maverick British filmmaker Nicolas...... more

This splendid adventure-fantasy from 1990 was adapted from Roald Dahl's book, The Witches, and directed by maverick British filmmaker Nicolas Roeg, who turned out to be a perfect (if seemingly unlikely) interpreter of Dahl's fiendishly clever tale of witchcraft in contemporary England. Scary, funny, and wildly entertaining, it's all about a young boy named Luke (Jasen Fisher) whose parents have died in a tragic accident, and whose grandmother (Mai Zetterling) takes him to a posh hotel in England, where a secret coven of witches is holding its annual convention. The Grand High Witch (Anjelica Huston, in a scene-stealing performance) has decreed that all children in England be turned into mice, and Luke and his pal Bruno (Charles Potter) are the first victims on the list. That's when the movie magicians from Jim Henson's creature shop have their work cut out for them, turning Luke and Bruno into clever little rodents and The Witches into a dazzling display of imaginative special effects, using a seamless combination of real mice and superb animatronic puppets. Director Roeg doesn't compromise the sinister edge of Dahl's story, but comedy gets equal time from the brilliant cast including Brenda Blethyn (from Secrets and Lies and Little Voice), Rowan Atkinson (of Black Adder and Mr. Bean fame), and Jane Horrocks (Little Voice) as the Grand High Witch's beleaguered assistant. Although it was largely neglected during its brief theatrical release, this wonderful movie has since enjoyed a thriving appreciation on video--see it and you'll understand why. --Jeff Shannon

... less