Nautical style. Crew-neck dress with contrast tipping on the neckline. Eyelet closure at the neck. Dropped waist with drawstring and Tommy Hilfiger logo charms...... more

Nautical style. Crew-neck dress with contrast tipping on the neckline. Eyelet closure at the neck. Dropped waist with drawstring and Tommy Hilfiger logo charms on the ends. Slit pockets with accent tipping at the hips. Pencil skirt with rounded hem. Our model is 1.76m and is wearing a size S Tommy Hilfiger dress.

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The Aspirin Cufflinks by Simon Carter is a very popular item which is sure meet your shopping requirements. Highly recommended, Simon Carter...... more

The Aspirin Cufflinks by Simon Carter is a very popular item which is sure meet your shopping requirements. Highly recommended, Simon Carter products make great gifts. Cufflinks likewise, are particularly great as presents! Buy the Aspirin Cufflinks

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The RAF Cufflinks by Simon Carter is a very popular item which is sure meet your shopping requirements. Highly recommended, Simon Carter...... more

The RAF Cufflinks by Simon Carter is a very popular item which is sure meet your shopping requirements. Highly recommended, Simon Carter products make great gifts. Cufflinks likewise, are particularly great as presents! Buy the RAF Cufflinks by Simon

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Released in 1971 (the same year Straw Dogs and A Clockwork Orange hit the screens, which must make 71 the annus mirabilis for violent films set in Britain), Get...... more

Released in 1971 (the same year Straw Dogs and A Clockwork Orange hit the screens, which must make 71 the annus mirabilis for violent films set in Britain), Get Carter opens with gangsters leering over pornographic slides and ends on a filthy, slag-stained beach in Newcastle. It's a low-down and dirty movie from beginning to end, and possibly the grittiest and best film of its kind to come out of Britain. The granddaddy of Lock, Stock & Two Smoking Barrels and all its ilk, director Mike Hodges' Get Carter offers revenge tragedy swinging-60s style, all nicotine-stained cinematography, shabby locations and the kind of killer catchphrases Vinnie Jones would die for ("You're a big man, but you're in bad shape. With me, it's a full-time job. Now behave yourself", says Michael Caine's deadpan anti-hero Carter before inflicting a few choice punches on Brian Mosley, aka Coronation Street's Alf Roberts, to name but one example from Hodges and Ted Lewis' exquisitely laconic script). Presenting the dark horse in his family of loveable Cockney geezer roles (Alfie, The Italian Job), Michael Caine plays the title role of Jack Carter, a man so hard he barely registers a flicker of regret watching a woman he's just had sex with plunge to her death. After taking the train up to Newcastle as the credits roll and Roy Budd's chunky bass-heavy theme tune plays, Carter returns to his hometown to attend his brother's funeral and investigate the circumstances of his death. Not that he's all that sentimental about family: he shaves nonchalantly over the open coffin, and shows affection to his niece Doreen (Petra Markham) by cramming a few notes in her hand and telling her to "be good and don't trust boys". Gradually, Carter unravels the skein of drugs, pornography and corruption tangled around his brother's death, which brings him up against supremely oleaginous kingpin Kinnear (played by the author of Look Back in Anger John Osborne) among others. A remake starring Sylvester Stallone is in the offing, but quite frankly it will be a 30-degree (Celsius) Christmas night in Newcastle before Hollywood could ever make something as assured, raw and immortal as this. --Leslie Felperin

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