In the global search for culprits and causes in the rise of terrorism, former Israeli ambassador to the United Nations Dore Gold shines a spotlight on a...... more

In the global search for culprits and causes in the rise of terrorism, former Israeli ambassador to the United Nations Dore Gold shines a spotlight on a nation many think of as a close ally of the United States: Saudi Arabia. As he explains in Hatred's Kingdom: How Saudi Arabia Supports the New Global Terrorism, Gold believes that the Saudi government is greatly influenced by the Islamist sect known as Wahhabism and, he explains, that influence has lead to Saudi support of terrorism in the Middle East, Europe, the United States and around the world. The historical portion of Gold's argument, where he traces the emergence of Muhammad ibn Abd al-Wahhab and the changing face of Saudi leadership, is admirably extensive and detailed. His modern research is a little more uneven, relying on statements by various Muslim clergy members, letters to the editors of newspapers, opinion pieces, and other evidence that is rarely damnable. Curiously, mentions of Israel and the long-standing Arab-Israeli conflict are much more infrequent than one would expect from an Israeli diplomat and scholar. But regardless of one's opinion of Gold's research or his alarming conclusions, the book offers something not often found in modern political nonfiction: a coherent structure, exhaustive research and a clear and consistent perspective on the ongoing threat of terrorism. --John Moe, Amazon.com

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In the global search for culprits and causes in the rise of terrorism, former Israeli ambassador to the United Nations Dore Gold shines a spotlight on a...... more

In the global search for culprits and causes in the rise of terrorism, former Israeli ambassador to the United Nations Dore Gold shines a spotlight on a nation many think of as a close ally of the United States: Saudi Arabia. As he explains in Hatred's Kingdom: How Saudi Arabia Supports the New Global Terrorism, Gold believes that the Saudi government is greatly influenced by the Islamist sect known as Wahhabism and, he explains, that influence has lead to Saudi support of terrorism in the Middle East, Europe, the United States and around the world. The historical portion of Gold's argument, where he traces the emergence of Muhammad ibn Abd al-Wahhab and the changing face of Saudi leadership, is admirably extensive and detailed. His modern research is a little more uneven, relying on statements by various Muslim clergy members, letters to the editors of newspapers, opinion pieces, and other evidence that is rarely damnable. Curiously, mentions of Israel and the long-standing Arab-Israeli conflict are much more infrequent than one would expect from an Israeli diplomat and scholar. But regardless of one's opinion of Gold's research or his alarming conclusions, the book offers something not often found in modern political nonfiction: a coherent structure, exhaustive research and a clear and consistent perspective on the ongoing threat of terrorism. --John Moe, Amazon.com

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In the global search for culprits and causes in the rise of terrorism, former Israeli ambassador to the United Nations Dore Gold shines a spotlight on a...... more

In the global search for culprits and causes in the rise of terrorism, former Israeli ambassador to the United Nations Dore Gold shines a spotlight on a nation many think of as a close ally of the United States: Saudi Arabia. As he explains in Hatred's Kingdom: How Saudi Arabia Supports the New Global Terrorism, Gold believes that the Saudi government is greatly influenced by the Islamist sect known as Wahhabism and, he explains, that influence has lead to Saudi support of terrorism in the Middle East, Europe, the United States and around the world. The historical portion of Gold's argument, where he traces the emergence of Muhammad ibn Abd al-Wahhab and the changing face of Saudi leadership, is admirably extensive and detailed. His modern research is a little more uneven, relying on statements by various Muslim clergy members, letters to the editors of newspapers, opinion pieces, and other evidence that is rarely damnable. Curiously, mentions of Israel and the long-standing Arab-Israeli conflict are much more infrequent than one would expect from an Israeli diplomat and scholar. But regardless of one's opinion of Gold's research or his alarming conclusions, the book offers something not often found in modern political nonfiction: a coherent structure, exhaustive research and a clear and consistent perspective on the ongoing threat of terrorism. --John Moe, Amazon.com

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In the global search for culprits and causes in the rise of terrorism, former Israeli ambassador to the United Nations Dore Gold shines a spotlight on a...... more

In the global search for culprits and causes in the rise of terrorism, former Israeli ambassador to the United Nations Dore Gold shines a spotlight on a nation many think of as a close ally of the United States: Saudi Arabia. As he explains in Hatred's Kingdom: How Saudi Arabia Supports the New Global Terrorism, Gold believes that the Saudi government is greatly influenced by the Islamist sect known as Wahhabism and, he explains, that influence has lead to Saudi support of terrorism in the Middle East, Europe, the United States and around the world. The historical portion of Gold's argument, where he traces the emergence of Muhammad ibn Abd al-Wahhab and the changing face of Saudi leadership, is admirably extensive and detailed. His modern research is a little more uneven, relying on statements by various Muslim clergy members, letters to the editors of newspapers, opinion pieces, and other evidence that is rarely damnable. Curiously, mentions of Israel and the long-standing Arab-Israeli conflict are much more infrequent than one would expect from an Israeli diplomat and scholar. But regardless of one's opinion of Gold's research or his alarming conclusions, the book offers something not often found in modern political nonfiction: a coherent structure, exhaustive research and a clear and consistent perspective on the ongoing threat of terrorism. --John Moe, Amazon.com

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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Dynamically balanced 1/2" drive impact wrench kit - Ideal for wheel changing, shock & spring work. Rocking Dor clutch mechanism - For smooth power...... more

Dynamically balanced 1/2" drive impact wrench kit - Ideal for wheel changing, shock & spring work. Rocking Dor clutch mechanism - For smooth power delivery. Single hammer - For fast rundown & high torque build up, perfect for pull up applications. Ergonomic rubber grip with non slip rubber trigger button - For low noise, reduced vibration & comfort in use. Enlarged forward & reverse adjustable torque settings - Suitable for all applications. Easy rear facing speed control - Convenience during use. Integrated handle exhaust - Directs air flow away from the work area. Positive trigger action - Ultimate speed control. Rubber nose guard - Protects against damage to the wheel during use. Supplied in a convenient carry case - For added portability & convenience. One year warranty - For extra peace of mind. SPECIFICATION: . RPM: 6800. Torque FT/LBS: 230. Av. Air comsumption CFM: 4.0. Working pressure: 90. Working pressure bar: 6.2. Noise level dB(A): 86. Vibration m/s2: 4.4. Air inlet BSP: 1/4". Weight KG: 2.2. INCLUDES: 1/2" Air Ratchet Wrench. 10 x 1/2" Drive sockets: 9, 10, 11, 13, 14, 17, 19, 22, 27mm. 1 x Oil pot. 1 x 1/4" male quick release coupling. 1 x Hex key. 1 x 1/4" In-line mini oiler. 1 x 1/2" drive 125mm extension bar. Parts list & manual. Blow moulded carry case.

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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With the knockout one-two punch of 1992's Reservoir Dogs and 1994's Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into...... more

With the knockout one-two punch of 1992's Reservoir Dogs and 1994's Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultrahip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. No, it was not the Second Coming (I actually think Reservoir Dogs is a more substantial film; and PT Anderson outdid Tarantino in 1997 by making his directorial debut with two even more mature and accomplished pictures, Hard Eight and Boogie Nights). But Pulp Fiction packs so much energy and invention into telling its nonchronologically interwoven short stories (all about temptation, corruption, and redemption amongst modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial...... more

With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

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This sprawling, exhausting, deeply moving Palme d'Or winner represents the pinnacle of Serbian director Emir Kusturica's considerable abilities, and...... more

This sprawling, exhausting, deeply moving Palme d'Or winner represents the pinnacle of Serbian director Emir Kusturica's considerable abilities, and what is easily one of the best cinematic achievements of the 1990s. It encapsulates 50 turbulent years of Yugoslavian history, from the outbreak of World War II in the 1940s to the destruction of this once-great nation in the 1990s. When we first meet Marko (Miki Manojlovic) and Blacky (Lazar Ristovski), it's hard to take these jokers seriously. All they want to do is party their lives away. But the Nazi shelling of Belgrade changes everything and the resourceful duo comes up with an ingenious plan--one will stay aboveground while the other goes underground. The arrangement represents an ideal opportunity for all concerned: Blacky, his wife, and the rest of their friends and neighbours will be protected from the chaos going on above, while Marko and the lovely Natalija (Mira Sorvino look-alike Mirjana Jokovic) will sell the weapons they're making down below. Everyone will share in the profits. But Marko commits the ultimate act of betrayal--against Blacky and the rest of his subterranean comrades. This sort of deception can only lead to tragedy, and Kusturica doesn't spare us the details. In fact, it's his eye for detail that makes Underground such a memorable experience--the perfect note his cast strikes between the extremes of physical comedy, passionate romance, and mortal pain, the insidiously infectious brass-heavy score and the strikingly colourful images. Underground is basically a parable, and doesn't always adhere to the laws of physics. It isn't for the literal-minded, the impatient, or the partisan. It's loud, it's long, and it isn't for the easily offended. It may just also be one of the saddest movies ever made and stands as a fitting tribute to a country that exists only in the hearts and minds of its former residents. --Kathleen C. Fennessy, Amazon.com

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