Young Dorothy Gale (played by Judy Garland), her dog, Toto, and her three companions on the yellow brick road to Oz -- the Tin Man (Jack Haley), the Cowardly...... more
Young Dorothy Gale (played by Judy Garland), her dog, Toto, and her three companions on the yellow brick road to Oz -- the Tin Man (Jack Haley), the Cowardly Lion (Bert Lahr), and the Scarecrow (Ray Bolger) -- have become pop-culture icons and central figures in the legacy of fantasy for children. Actress Margaret Hamilton, the Wicked Witch who covets Dorothy's enchanted ruby slippers, has had the singular honour of scaring the wits out of children for more than six decades. The film's still as fresh, frightening and funny as it was when first released in 1939. It may take some liberal detours from the original story by L. Frank Baum, but it's loyal to the Baum legacy while charting its own course as a spectacular film. Partly shot in glorious Technicolor, befitting its dynamic production design (Munchkinland alone is a psychedelic explosion of colour and decor), The Wizard of Oz may not appeal to every taste as the years go by, but it's nonetheless required viewing for kids of all ages. --Jeff Shannon
If any artist deserved a hagiography it was Hendrix, and Joe Boyd's 1973 "authorised" tribute The Jimi Hendrix Story adequately sanctifies the legend....... more
If any artist deserved a hagiography it was Hendrix, and Joe Boyd's 1973 "authorised" tribute The Jimi Hendrix Story adequately sanctifies the legend. Perversely for a documentary, it achieves this simply by well-chosen concert footage rather than through the insights of the various talking heads. Pete Townshend, Eric Clapton, Mick Jagger, Lou Reed and Germaine Greer are all wheeled out to wax lyrical about their days with Jimi--but nothing is more eloquent than watching and listening to him play. From "Hey Joe" in grainy black and white on Ready Steady Go, classic footage of Monterey, Woodstock (yes, "The Star-Spangled Banner") and the Isle of White festivals, to an acoustic 12-string rendition of "Hear My Train a' Comin'", Hendrix the musician speaks for himself. But if Hendrix the musician shines through, this is not the most insightful profile of Hendrix the man: the circumstances surrounding his death, for example, are hardly touched upon (girlfriend at the time Monika Dannemann gets only a few seconds screen time). Interview footage with Hendrix himself plus some occasionally rambling and incoherent comments from such intimates as his father, army buddies, ex-girlfriends (including Linda Keith, who "discovered" him in New York and brought him to England) and fellow musicians all take second place to the music itself. The most sensible quote comes from Little Richard, who proves once and for all that he's utterly bonkers, when he says of Jimi's music: "At times he made my big toes shoot up into my boot." On the DVD: This is a dual-layer disc, with a widescreen (1.85:1) print on one side and a standard (4:3) ratio version on the other--although watching in widescreen is redundant, as the film is shot in 4:3 anyway. There are no extras other than a theatrical trailer (despite being advertised as such a menu and scene access surely don't count as "special features": what use is a disc without them?) --Mark Walker
Living in exile in Paris after eluding a controversial charge of statutory rape in America, director Roman Polanski seemed professionally adrift during the...... more
Living in exile in Paris after eluding a controversial charge of statutory rape in America, director Roman Polanski seemed professionally adrift during the 1980s, making only one film (the ill-fated Pirates) between 1979 and 1988. Then Polanski found inspiration--and a major star in Harrison Ford--to make Frantic, a thriller that played directly into Polanski's gift for creating an atmosphere of mystery, dread, escalating suspense and uncertain fate. Set in Paris (Polanski couldn't go to Hollywood, so Hollywood came to him), the story begins when an American heart surgeon (Ford) arrives in the City of Lights with his wife (Betty Buckly) for a medical convention. They check into a posh hotel, and in a brilliantly directed scene, Ford takes a shower and emerges to find that his wife has vanished. This mysterious disappearance--and a confusion between two identical pieces of luggage--leads Ford into the Paris underground and a plot that grows increasingly dangerous as he approaches the truth of his wife's disappearance. The plot of Frantic gets too complicated, and the pace drops off in the cluttered second half, but in Polanski's capable hands the film is blessed with moments of heightened suspense in the tradition of classic thrillers. --Jeff Shannon
This 1987 thriller was a predictable hit with the teen audience it worked overtime to attract. Like most of director Joel Schumacher's films, it's conspicuously...... more
This 1987 thriller was a predictable hit with the teen audience it worked overtime to attract. Like most of director Joel Schumacher's films, it's conspicuously designed to push the right marketing and demographic buttons and, granted, there's some pretty cool stuff going on here and there. Take Kiefer Sutherland, for instance. In Stand by Me he played a memorable bully, but here he goes one step further as a memorable bully vampire who leads a tribe of teenage vampires on their nocturnal spree of bloodsucking havoc. Jason Patric plays the new guy in town, who quickly attracts a lovely girlfriend (Jami Gertz), only to find that she might be recruiting him into the vampire fold. The movie gets sillier as it goes along, and resorts to a routine action-movie showdown, but it's a visual knockout (featuring great cinematography by Michael Chapman) and boasts a cast that's eminently able (pardon the pun) to sink their teeth into the best parts of an uneven screenplay. --Jeff Shannon
One of the key films of the 1970s, John Boorman's Deliverance is a nightmarish adaptation of poet-novelist James Dickey's book about various kinds of survival...... more
One of the key films of the 1970s, John Boorman's Deliverance is a nightmarish adaptation of poet-novelist James Dickey's book about various kinds of survival in modern America. The story concerns four Atlanta businessmen of various male stripe: Jon Voight's character is a reflective, civilized fellow; Burt Reynolds plays a strapping hunter-gatherer in urban clothes; Ned Beatty is a sweaty, weak-willed boy-man, and Ronny Cox essays a spirited, neighbourly type. Together they decide to answer the ancient call of men testing themselves against the elements and set out on a treacherous ride on the rapids of an Appalachian river. What they don't understand until it is too late is that they have ventured into Dickey's variation on the American underbelly, a wild, lawless, dangerous (and dangerously inbred) place isolated from the gloss of the late 20th century. In short order, the four men dig deep into their own suppressed primitiveness, defending themselves against armed cretins, facing the shock of real death on their carefully planned, death-defying adventure and then squarely facing the suspicions of authority over their concealed actions. Boorman, a master teller of stories about individuals on peculiarly mythical journeys, does a terrifying and beautiful job of revealing the complexity of private and collective character--the way one can never be the same after glimpsing the sharp-clawed survivor in one's soul. --Tom Keogh, Amazon.com
A big Oscar winner in 1975, One Flew Over the Cuckoo's Nest still holds up remarkably well. Ken Kesey's novel, an allegory of repression and rebellion set in a...... more
A big Oscar winner in 1975, One Flew Over the Cuckoo's Nest still holds up remarkably well. Ken Kesey's novel, an allegory of repression and rebellion set in a mental hospital in the early 1960s, is cannily adapted by Czech director Milos Forman into a comedy drama with a cool, unassuming, near-documentary look. Jack Nicholson has his most jacknicholsonian role as Randle P McMurphy, a livewire troublemaker who unwisely cons his way out of prison and into a mental institution without realising he has switched from serving a sentence with a release date to being committed until adjudged sane by the same people he is winding up on a daily basis. Louise Fletcher, in a career-defining turn, is Nurse Ratched, the soft-spoken sadist who represents the worst type of matronly authoritarianism and clashes with Randle all down the line. Taking another look at the picture after all these years, it's a surprise that all the unknown actors who seemed like real mental patients have graduated to becoming prolific character actor stars: Danny DeVito, Christopher Lloyd, Vincent Schiavelli, Brad Dourif, the late Will Sampson, Sidney Lassick, Michael Berryman. Unlike many Best Picture Oscar winners, this deals with profound subject matter without seeming self-important: Forman's approach and all-round great acting make it play as a small character story as well as a Big Statement about the human condition. Full marks also for Jack Nitzsche's musical saw-based score. On the DVD:One Flew Over the Cuckoo's Nest comes to DVD in a two-disc special edition with a great-looking anamorphic 1.85:1 print and 5.1 Dolby Digital soundtrack, plus tracks in French and Italian and optional subtitles in half a dozen languages. Disc 2 has the trailer, about 13 minutes of deleted scenes (mostly from the first third of the film, and all pretty good) and a making-of retrospective documentary with interesting material from producers Michael Douglas (who inherited the rights from Kirk) and Saul Zaentz, Forman, screenwriter Bo Goldman and many cast-members (though not Nicholson). There's also a commentary track by Forman, Douglas and others which repeats a few things from the documentary but also goes into more scene-specific detail about the development and shooting. --Kim Newman
From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as...... more
From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. --Jeff Shannon
Don't waste this one on your children: buy it for yourself. A spectacular adaptation of the Anna Sewell novel, this is faithful to the source material but...... more
Don't waste this one on your children: buy it for yourself. A spectacular adaptation of the Anna Sewell novel, this is faithful to the source material but creates a life of its own on the screen. Told from the point of view of the horse, it recalls a time and a place that could be both beautiful and cruel. Black Beauty faced both hardship and kindness as he passed through the hands of many owners throughout his life. Some are generous, but the agonies endured by the title character may be too harsh for small children. Unfortunately, director Caroline Thompson did not resurrect her magical touch a few years later with another animal tale, Buddy. --Rochelle O'Gorman, Amazon.com
Here's a film that only a Steven Seagal fan could love. Fire Down Below not nearly as good as Under Siege (the movie destined to remain Seagal's high-water...... more
Here's a film that only a Steven Seagal fan could love. Fire Down Below not nearly as good as Under Siege (the movie destined to remain Seagal's high-water mark), but not any worse than Above the Law. This time ol' Steve is an agent of the Environmental Protection Agency who's busting heads in Kentucky. He's on good terms with the local yokels (including Marg Helgenberger and Harry Dean Stanton), but locks horns with a slimy mogul (Kris Kristofferson) who's using abandoned mines to dump toxic waste. Along with an ecological message, Seagal serves up several broken limbs, cracked skulls, and bloody noses, and he even finds time to do some guitar picking with country boys such as Travis Tritt and Randy Travis. Once you've heard Seagal crooning a country tune, you'll be eager to see him go back to whuppin' the bad guys. --Jeff Shannon
Advantages: Weird, surreal and massively enjoyable. Disadvantages: A little hard to follow in places
...Director: Spike Jonze
Adaptation is a true story. Well kind of. It?s difficult to tell actually. It is about the writer Charlie Kaufman (Nicholas Cage), who is the genius behind such movies as Eternal Sunshine Of The Spotless Mind, Being John Malkovich and Human Nature. It tells the tale of his apparently impossible quest to adapt the non-fiction book The Orchid Thief into a screenplay...
Advantages: Cheap, easy to setup, good quality output Disadvantages: Not suitable for proffessional users, poor handling of motion footage.
...device e.g. flash drive, solid state drive or, if you still live in 1980, a floppy disk).
The device is essentially an CBA cable input to a USB output with some fancy electronics in between to convert the signal from analogue (Which the older style video devices used) to digital (Which your computer uses).
In order to use this device and begin capturing footage from VHS, camcorders or, as I did...
Advantages: Interesting and intelligent script Disadvantages: Might get confusing at times
...Adaptation is a movie released in 2002,starring Nicolas Cage and Meryl Streep. I am no fan of Nicolas cage but i end up watching his films . I find him boring and unsuitable for most roles he does. But this film is an exception! He gets right into the skin of the character and totally does justice to both the roles.Meryl Streep is fabulous to watch, as usual.
Let me come to the point why this...