How to Make it in America follows two enterprising Brooklyn twenty-somethings as they hustle their way through New York...... more

How to Make it in America follows two enterprising Brooklyn twenty-somethings as they hustle their way through New York City determined to achieve the American Dream. Trying to make a name for themselves in New York’s competitive fashion scene Ben Epstein (Greenberg) and his friend and business partner Cam Calderon (Rasuk) use their street knowledge and connections to bring their ambitions to fruition.

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director danny leiner director jonathan levine director julian farino ean 5051892049375 format blu ray genre comedy rating 15 studio warner home...... more

director danny leiner director jonathan levine director julian farino ean 5051892049375 format blu ray genre comedy rating 15 studio warner home video title how to make it in america series 1 complete blu ray first rhythm records how to make it in america new blu ray search home about us contact us delivery returns add to favourites join mailing list independent cd and vinyl store only the best in indie and dance can t find what you want just ask most popular artists main menu categories cds amb

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HBO's hip, smart series How to Make It in America is a snapshot of the beating heart of young ambition and energy in...... more

HBO's hip, smart series How to Make It in America is a snapshot of the beating heart of young ambition and energy in New York City. Youth may flail--and even fail--but good ideas and smarts and an "angle" just might pay off in the City That Never Sleeps. The ensemble cast is terrific, including Bryan Greenberg, Victor Rasuk, Lake Bell, Shannyn Sossamon, Kid Cudi, and the always-hilarious Luis Guzmán. Some are layabouts, some are craven with ambition, some are artistes, some are thugs--and some are all of the above. Much like Entourage does, How to Make It in America follows a group of friends and acquaintances through their daily lives, and sometimes feels as aimless as real life really is. But the writing and direction and acting are all first-rate, and anyone who's ever visited New York, or lived there, or dreamed of living there, will be captivated by the realism. The reality of New York is both romanticized and taken at harsh face value--such a vivid portrait, in fact, that the city feels like another character in the ensemble. And it's true that as a metaphor where dreams are created--or dashed--New York is unparalleled. How to Make It in America works as a comedy, a drama, and a character study that completely draws in the viewer--even if the characters aren't always likable. TV doesn't really get any better than this. And remember--if you can "Make It" here, you can make it anywhere. --A.T. Hurley

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Country / Folk CDs Dance CDs DVD / Film DVDs Easy Listening CDs HD DVD Instrumental CDs Jazz / Blues CDs Latin CDs Mouse Mats Nintendo DS PC Pop CDs PS3 PSP...... more

Country / Folk CDs Dance CDs DVD / Film DVDs Easy Listening CDs HD DVD Instrumental CDs Jazz / Blues CDs Latin CDs Mouse Mats Nintendo DS PC Pop CDs PS3 PSP games Rap / HipHop CDs Reggae / Ska CDs Rock Archive Prints Rock CDs Soul / R&B CDs Soundtrack / M

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director danny leiner director jonathan levine director julian farino ean 5051892049375 rating 15 title how to make it in...... more

director danny leiner director jonathan levine director julian farino ean 5051892049375 rating 15 title how to make it in america series 1 complete blu ray wii games dvds xbox 360 games nintendo ds games ps 3 games psp games games pc blu ray shop categories electricals accessories wii games dvds xbox 360 games cds nintendo ds games ps 3 games games pc blu ray psp games nintendo ds hardware wii hardware ps 3 hardware xbox 360 accessories xbox 360 hardware nintendo ds accessories psp accessories p

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director danny leiner director jonathan levine director julian farino ean 5051892049368 rating 15 title how to make it in...... more

director danny leiner director jonathan levine director julian farino ean 5051892049368 rating 15 title how to make it in america series 1 complete dvd wii games dvds xbox 360 games nintendo ds games ps 3 games psp games games pc blu ray shop categories electricals accessories wii games dvds xbox 360 games cds nintendo ds games ps 3 games games pc blu ray psp games nintendo ds hardware wii hardware ps 3 hardware xbox 360 accessories xbox 360 hardware nintendo ds accessories psp accessories psp h

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actor bryan greenberg certificate 15 main language english number of discs 2 region region 2 series how to make it in...... more

actor bryan greenberg certificate 15 main language english number of discs 2 region region 2 series how to make it in america sound information dolby digital studio warner home video wii games dvds xbox 360 games nintendo ds games ps 3 games psp games games pc blu ray shop categories electricals accessories wii games dvds xbox 360 games cds nintendo ds games ps 3 games games pc blu ray psp games nintendo ds hardware wii hardware ps 3 hardware xbox 360 accessories xbox 360 hardware nintendo ds ac

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media dvd region 2 packshot packshot item description how to make it in america series 2 complete brand new region 2 pal...... more

media dvd region 2 packshot packshot item description how to make it in america series 2 complete brand new region 2 pal dvd all our dvds are original authentic items we do not sell copies illegal goods or questionable imports uk buyers please note most dvds are sent from our offshore warehouse outside the eu please allow 3 to 4 working days from dispatch for delivery we accept payment by paypal only item description from the creators of entourage how to make it in america follows two up and com

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A winning mixture of adventure, slapstick comedy, and friendship, How to Train Your Dragon rivals Kung Fu Panda as the most engaging and...... more

A winning mixture of adventure, slapstick comedy, and friendship, How to Train Your Dragon rivals Kung Fu Panda as the most engaging and satisfying film DreamWorks Animation has produced. Hiccup (voice by Jay Baruchel) is a failure as a Viking: skinny, inquisitive, and inventive, he asks questions and tries out unsuccessful contraptions when he's supposed to be fighting the dragons that attack his village. His father, chief Stoick the Vast (Gerard Butler), has pretty much given up on his teenage son and apprenticed him to blacksmith Gobber (Craig Ferguson). Worse, Hiccup knows the village loser hasn't a chance of impressing Astrid (America Ferrera), the girl of his dreams and a formidable dragon fighter in her own right. When one of Hiccup's inventions actually works, he hasn't the heart to kill the young dragon he's brought down. He names it Toothless and befriends it, although he's been taught to fear and loathe dragons. Co-directors and co-writers Chris Sanders and Dean DeBlois, who made Disney's delightful Lilo and Stitch, provide plenty of action, including vertiginous flying sequences, but they balance the pyrotechnics with moments of genuine warmth that make the viewer root for Hiccup's success. Many DreamWorks films get laughs from sitcom one-liners and topical pop culture references; as the humour in Dragon comes from the characters' personalities, it feels less timely and more timeless. Toothless chases the spot of sunlight reflected off Hiccup's hammer like a giant cat with a laser pointer; Hiccup uses his newly found knowledge (and an icky smoked eel) to defeat two small dragons--and impress the other kids. How to Train Your Dragon will be just as enjoyable 10 or 20 years from now as it is today. --Charles Solomon

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HBO's hip, smart series How to Make It in America is a snapshot of the beating heart of young ambition and energy in...... more

HBO's hip, smart series How to Make It in America is a snapshot of the beating heart of young ambition and energy in New York City. Youth may flail--and even fail--but good ideas and smarts and an "angle" just might pay off in the City That Never Sleeps. The ensemble cast is terrific, including Bryan Greenberg, Victor Rasuk, Lake Bell, Shannyn Sossamon, Kid Cudi, and the always-hilarious Luis Guzmán. Some are layabouts, some are craven with ambition, some are artistes, some are thugs--and some are all of the above. Much like Entourage does, How to Make It in America follows a group of friends and acquaintances through their daily lives, and sometimes feels as aimless as real life really is. But the writing and direction and acting are all first-rate, and anyone who's ever visited New York, or lived there, or dreamed of living there, will be captivated by the realism. The reality of New York is both romanticized and taken at harsh face value--such a vivid portrait, in fact, that the city feels like another character in the ensemble. And it's true that as a metaphor where dreams are created--or dashed--New York is unparalleled. How to Make It in America works as a comedy, a drama, and a character study that completely draws in the viewer--even if the characters aren't always likable. TV doesn't really get any better than this. And remember--if you can "Make It" here, you can make it anywhere. --A.T. Hurley

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They all laughed at college nerd Mark Zuckerberg, whose idea for a social-networking site made him a billionaire. And they all laughed at the idea of a...... more

They all laughed at college nerd Mark Zuckerberg, whose idea for a social-networking site made him a billionaire. And they all laughed at the idea of a Facebook movie--except writer Aaron Sorkin and director David Fincher, merely two of the more extravagantly talented filmmakers around. Sorkin and Fincher's breathless picture, The Social Network, is a fast and witty creation myth about how Facebook grew from Zuckerberg's insecure geek-at-Harvard days into a phenomenon with 500 million users. Sorkin frames the movie around two lawsuits aimed at the lofty but brilliant Zuckerberg (deftly played by Adventureland's Jesse Eisenberg): a claim that he stole the idea from Ivy League classmates, and a suit by his original, now slighted, business partner (Andrew Garfield). The movie follows a familiar rise-and-fall pattern, with temptation in the form of a sunny California Beelzebub (an expert Justin Timberlake as former Napster founder Sean Parker) and an increasingly tangled legal mess. Emphasizing the legal morass gives Sorkin and Fincher a chance to explore how unsocial this social-networking business can be, although the irony seems a little facile. More damagingly, the film steers away from the prickly figure of Zuckerberg in the latter stages--and yet Zuckerberg presents the most intriguing personality in the movie, even if the movie takes pains to make us understand his shortcomings. Fincher's command of pacing and his eye for the clean spaces of Aughts-era America are bracing, and he can't resist the technical trickery involved in turning actor Armie Hammer into privileged Harvard twins (Hammer is letter-perfect). Even with its flaws, The Social Network is a galloping piece of entertainment, a smart ride with smart people who sometimes do dumb things. --Robert Horton

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They all laughed at college nerd Mark Zuckerberg, whose idea for a social-networking site made him a billionaire. And they all laughed at the idea of a Facebook...... more

They all laughed at college nerd Mark Zuckerberg, whose idea for a social-networking site made him a billionaire. And they all laughed at the idea of a Facebook movie--except writer Aaron Sorkin and director David Fincher, merely two of the more extravagantly talented filmmakers around. Sorkin and Fincher's breathless picture, The Social Network, is a fast and witty creation myth about how Facebook grew from Zuckerberg's insecure geek-at-Harvard days into a phenomenon with 500 million users. Sorkin frames the movie around two lawsuits aimed at the lofty but brilliant Zuckerberg (deftly played by Adventureland's Jesse Eisenberg): a claim that he stole the idea from Ivy League classmates, and a suit by his original, now slighted, business partner (Andrew Garfield). The movie follows a familiar rise-and-fall pattern, with temptation in the form of a sunny California Beelzebub (an expert Justin Timberlake as former Napster founder Sean Parker) and an increasingly tangled legal mess. Emphasising the legal morass gives Sorkin and Fincher a chance to explore how unsocial this social-networking business can be, although the irony seems a little facile. More damagingly, the film steers away from the prickly figure of Zuckerberg in the latter stages--and yet Zuckerberg presents the most intriguing personality in the movie, even if the movie takes pains to make us understand his shortcomings. Fincher's command of pacing and his eye for the clean spaces of Aughts-era America are bracing, and he can't resist the technical trickery involved in turning actor Armie Hammer into privileged Harvard twins (Hammer is letter-perfect). Even with its flaws, The Social Network is a galloping piece of entertainment, a smart ride with smart people who sometimes do dumb things. --Robert Horton

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A winning mixture of adventure, slapstick comedy, and friendship, How to Train Your Dragon rivals Kung Fu Panda as the most engaging and...... more

A winning mixture of adventure, slapstick comedy, and friendship, How to Train Your Dragon rivals Kung Fu Panda as the most engaging and satisfying film DreamWorks Animation has produced. Hiccup (voice by Jay Baruchel) is a failure as a Viking: skinny, inquisitive, and inventive, he asks questions and tries out unsuccessful contraptions when he's supposed to be fighting the dragons that attack his village. His father, chief Stoick the Vast (Gerard Butler), has pretty much given up on his teenage son and apprenticed him to blacksmith Gobber (Craig Ferguson). Worse, Hiccup knows the village loser hasn't a chance of impressing Astrid (America Ferrera), the girl of his dreams and a formidable dragon fighter in her own right. When one of Hiccup's inventions actually works, he hasn't the heart to kill the young dragon he's brought down. He names it Toothless and befriends it, although he's been taught to fear and loathe dragons. Co-directors and co-writers Chris Sanders and Dean DeBlois, who made Disney's delightful Lilo and Stitch, provide plenty of action, including vertiginous flying sequences, but they balance the pyrotechnics with moments of genuine warmth that make the viewer root for Hiccup's success. Many DreamWorks films get laughs from sitcom one-liners and topical pop culture references; as the humour in Dragon comes from the characters' personalities, it feels less timely and more timeless. Toothless chases the spot of sunlight reflected off Hiccup's hammer like a giant cat with a laser pointer; Hiccup uses his newly found knowledge (and an icky smoked eel) to defeat two small dragons--and impress the other kids. How to Train Your Dragon will be just as enjoyable 10 or 20 years from now as it is today. --Charles Solomon

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A winning mixture of adventure, slapstick comedy, and friendship, How to Train Your Dragon rivals Kung Fu Panda as the most engaging and...... more

A winning mixture of adventure, slapstick comedy, and friendship, How to Train Your Dragon rivals Kung Fu Panda as the most engaging and satisfying film DreamWorks Animation has produced. Hiccup (voice by Jay Baruchel) is a failure as a Viking: skinny, inquisitive, and inventive, he asks questions and tries out unsuccessful contraptions when he's supposed to be fighting the dragons that attack his village. His father, chief Stoick the Vast (Gerard Butler), has pretty much given up on his teenage son and apprenticed him to blacksmith Gobber (Craig Ferguson). Worse, Hiccup knows the village loser hasn't a chance of impressing Astrid (America Ferrera), the girl of his dreams and a formidable dragon fighter in her own right. When one of Hiccup's inventions actually works, he hasn't the heart to kill the young dragon he's brought down. He names it Toothless and befriends it, although he's been taught to fear and loathe dragons. Co-directors and co-writers Chris Sanders and Dean DeBlois, who made Disney's delightful Lilo and Stitch, provide plenty of action, including vertiginous flying sequences, but they balance the pyrotechnics with moments of genuine warmth that make the viewer root for Hiccup's success. Many DreamWorks films get laughs from sitcom one-liners and topical pop culture references; as the humour in Dragon comes from the characters' personalities, it feels less timely and more timeless. Toothless chases the spot of sunlight reflected off Hiccup's hammer like a giant cat with a laser pointer; Hiccup uses his newly found knowledge (and an icky smoked eel) to defeat two small dragons--and impress the other kids. How to Train Your Dragon will be just as enjoyable 10 or 20 years from now as it is today. --Charles Solomon

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They all laughed at college nerd Mark Zuckerberg, whose idea for a social-networking site made him a billionaire. And they all laughed at the idea of a...... more

They all laughed at college nerd Mark Zuckerberg, whose idea for a social-networking site made him a billionaire. And they all laughed at the idea of a Facebook movie--except writer Aaron Sorkin and director David Fincher, merely two of the more extravagantly talented filmmakers around. Sorkin and Fincher's breathless picture, The Social Network, is a fast and witty creation myth about how Facebook grew from Zuckerberg's insecure geek-at-Harvard days into a phenomenon with 500 million users. Sorkin frames the movie around two lawsuits aimed at the lofty but brilliant Zuckerberg (deftly played by Adventureland's Jesse Eisenberg): a claim that he stole the idea from Ivy League classmates, and a suit by his original, now slighted, business partner (Andrew Garfield). The movie follows a familiar rise-and-fall pattern, with temptation in the form of a sunny California Beelzebub (an expert Justin Timberlake as former Napster founder Sean Parker) and an increasingly tangled legal mess. Emphasizing the legal morass gives Sorkin and Fincher a chance to explore how unsocial this social-networking business can be, although the irony seems a little facile. More damagingly, the film steers away from the prickly figure of Zuckerberg in the latter stages--and yet Zuckerberg presents the most intriguing personality in the movie, even if the movie takes pains to make us understand his shortcomings. Fincher's command of pacing and his eye for the clean spaces of Aughts-era America are bracing, and he can't resist the technical trickery involved in turning actor Armie Hammer into privileged Harvard twins (Hammer is letter-perfect). Even with its flaws, The Social Network is a galloping piece of entertainment, a smart ride with smart people who sometimes do dumb things. --Robert Horton

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They all laughed at college nerd Mark Zuckerberg, whose idea for a social-networking site made him a billionaire. And they all laughed at the idea of a...... more

They all laughed at college nerd Mark Zuckerberg, whose idea for a social-networking site made him a billionaire. And they all laughed at the idea of a Facebook movie--except writer Aaron Sorkin and director David Fincher, merely two of the more extravagantly talented filmmakers around. Sorkin and Fincher's breathless picture, The Social Network, is a fast and witty creation myth about how Facebook grew from Zuckerberg's insecure geek-at-Harvard days into a phenomenon with 500 million users. Sorkin frames the movie around two lawsuits aimed at the lofty but brilliant Zuckerberg (deftly played by Adventureland's Jesse Eisenberg): a claim that he stole the idea from Ivy League classmates, and a suit by his original, now slighted, business partner (Andrew Garfield). The movie follows a familiar rise-and-fall pattern, with temptation in the form of a sunny California Beelzebub (an expert Justin Timberlake as former Napster founder Sean Parker) and an increasingly tangled legal mess. Emphasizing the legal morass gives Sorkin and Fincher a chance to explore how unsocial this social-networking business can be, although the irony seems a little facile. More damagingly, the film steers away from the prickly figure of Zuckerberg in the latter stages--and yet Zuckerberg presents the most intriguing personality in the movie, even if the movie takes pains to make us understand his shortcomings. Fincher's command of pacing and his eye for the clean spaces of Aughts-era America are bracing, and he can't resist the technical trickery involved in turning actor Armie Hammer into privileged Harvard twins (Hammer is letter-perfect). Even with its flaws, The Social Network is a galloping piece of entertainment, a smart ride with smart people who sometimes do dumb things. --Robert Horton

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They all laughed at college nerd Mark Zuckerberg, whose idea for a social-networking site made him a billionaire. And they all laughed at the idea of a Facebook...... more

They all laughed at college nerd Mark Zuckerberg, whose idea for a social-networking site made him a billionaire. And they all laughed at the idea of a Facebook movie--except writer Aaron Sorkin and director David Fincher, merely two of the more extravagantly talented filmmakers around. Sorkin and Fincher's breathless picture, The Social Network, is a fast and witty creation myth about how Facebook grew from Zuckerberg's insecure geek-at-Harvard days into a phenomenon with 500 million users. Sorkin frames the movie around two lawsuits aimed at the lofty but brilliant Zuckerberg (deftly played by Adventureland's Jesse Eisenberg): a claim that he stole the idea from Ivy League classmates, and a suit by his original, now slighted, business partner (Andrew Garfield). The movie follows a familiar rise-and-fall pattern, with temptation in the form of a sunny California Beelzebub (an expert Justin Timberlake as former Napster founder Sean Parker) and an increasingly tangled legal mess. Emphasising the legal morass gives Sorkin and Fincher a chance to explore how unsocial this social-networking business can be, although the irony seems a little facile. More damagingly, the film steers away from the prickly figure of Zuckerberg in the latter stages--and yet Zuckerberg presents the most intriguing personality in the movie, even if the movie takes pains to make us understand his shortcomings. Fincher's command of pacing and his eye for the clean spaces of Aughts-era America are bracing, and he can't resist the technical trickery involved in turning actor Armie Hammer into privileged Harvard twins (Hammer is letter-perfect). Even with its flaws, The Social Network is a galloping piece of entertainment, a smart ride with smart people who sometimes do dumb things. --Robert Horton

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The main goal in this game isn't to win but to survive the race. Winning is saved only for the best. While taking part in the MotorStorm...... more

The main goal in this game isn't to win but to survive the race. Winning is saved only for the best. While taking part in the MotorStorm Festival an event designed for the most hardcore of off-road drivers players will compete with sophisticated AI or human opponents in awesome action-packed tracks in an attempt to be crowned Festival Champion. Evolution Studios have developed a breath-taking environment in which to race thanks to the advancement in technology with the new PS3 and Blu-Ray Disks. With everything including smarter AI real-time track deformation fully destructible vehicles and environments as well as the beautiful scenery. You'll also witness the processing power of the PS3 with effects including motion blur depth-of-field and crash cams for awesome replays. Features Attacking and Offensive Driving - Nudge bump shunt ram and spin your opponents out of the way in order to win by any means necessary. Use your vehicle as your weapon and remember: mercy is for the weak. Stunning Environments - Hang onto your hats as you go racing through some of America's most recognisable open spaces. Just don't get too caught up in it or else you'll find yourself careering off a cliff! Cutting-Edge Artificial Intelligence - This highly defined A.I. will stop at nothing to win. It pulls out all the stops: it will always select the best route and its aggressiveness is determined by how aggressive your own driving is making this a foe to be feared. It's actions are all realistic and no routes are pre-planned. Real-time Track Deformation - You know that wheelspin ditch you left at the starting line? Well make sure that you dont drive right through it the next time around because all marks that are left on the track stay on the track making for a more realistic driving experience. Real-time Audio Manipulation - Echo and reverb effects are added into the backgound music of the game making it sound more 'live. PlayStation 3 - With the power of the highly-developed PS3 and the .

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